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DON'T YOU JUST KNOW IT / Re: Adviser and management
« Last post by 1Jay1 on May 10, 2021, 09:02:43 AM »
According to Dean in his biography, Bobby roberts and pierre cossette were Jan and Deans new management. So why no advice on recording save for a rainy day,explaining to Dean  would not get it  released, due to the screen gems contract.
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DON'T YOU JUST KNOW IT / Re: Future Jan & Dean releases
« Last post by 1Jay1 on May 09, 2021, 07:08:25 AM »
I feel the A and M Album by Jan, should now be released. Deans had solo stuff released,
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DON'T YOU JUST KNOW IT / Re: Future Jan & Dean releases
« Last post by NateRuvin on May 09, 2021, 06:28:54 AM »
man, wouldn't it be great to get a new J&D release this year
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FOR IMMEDIATE RELEASE

CONTACT: Mark A. Moore

New Biography Examines the Tragic Life of Jan Berry, a Pioneering Record Producer whose Music with Jan & Dean helped Establish the West Coast Sound in the late 1950s and Early 1960s.

RALEIGH, NC – Summer 2021 – A new book from an award-winning author chronicles the highs and lows of the hard-driving, fast-living Jan Berry. From the birth of Rock ‘n’ Roll to major chart success while still in high school, from the peak of fame with “Surf City” to the prophetic nightmare of “Dead Man’s Curve,” Jan’s life story is compelling and brutal.

In Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry ($49.95/$29.95 McFarland & Co., Summer 2021), author Mark A. Moore taps his years of research to illuminate the complexities of Jan’s dual life—from grueling hours in Hollywood’s finest recording studios, road gigs, and personal appearances to navigating his way through college at UCLA and medical school at the California College of Medicine.

Headstrong and charismatic, Jan thumbed his nose at authority, made his own rules, and lived his life on the edge. His candle burned brightly at both ends, fast meeting in the middle. In April 1966, at the height of his music career and during his second year of medical school, his world crumbled in an instant. After gaining a reputation as one of the best music arrangers and producers in Hollywood, with 16 Top 40 hits as an artist (including seven Top 10), and more than 20 chart records as a songwriter to his credit, Jan suffered brain damage and partial paralysis in an automobile accident that nearly killed him. He was 25 years old.

In Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry, Moore reveals Jan’s story in-depth for the first time, based on extensive primary source documentation and supplemented by the stories and memories of Jan’s family members, friends, music industry colleagues, and contemporaries.

Highlights include:



    • Jan’s rebellious youth, garage studio, and breakthrough in the music industry.
    • Stories behind the music of Jan & Arnie and Jan & Dean, including Berry’s work with Joe Lubin, Herb Alpert, and Lou Adler.
    • Jan’s tenure as a contract artist, songwriter, music arranger, and record producer for Nevins-Kirshner Associates and Screen Gems-Columbia Music.
    • His production work with the Wrecking Crew, the cream of the crop of Los Angeles studio musicians.
    • Firsthand insight from Dean Torrence, Brian Wilson of the Beach Boys, Joe Lubin, Arnie Ginsburg, Lou Adler, Bruce Johnston, Hal Blaine, Don Altfeld, Jill Gibson, Kim Fowley, music engineers Bones Howe and Lanky Linstrot, Artie Kornfeld, P. F. Sloan, Steve Barri, various Wrecking Crew musicians, and many others.
    • Jan’s writing, arranging, and producing for artists outside of Jan & Arnie and Jan & Dean.
    • Road stories.
    • Jan & Dean’s ill-fated film and television projects—scuttled by the kidnapping of Frank Sinatra Jr., a train collision, and the ultimate wipeout.
    • Jan’s personal life and workload in college and medical school.
    • His influence on his peers in the industry.
    • Details of his car accident, rehabilitation, and learning to walk and talk again.
    • His musical renaissance in 1967.
    • Heartaches and triumphs on the long road back from Dead Man’s Curve.
    • Jan’s solo career in the 1970s.
    • Paul Morantz’s 1974 Rolling Stone article and a behind-the-scenes look at the 1978 Jan & Dean film Deadman’s Curve.
    • Performing and touring with Jan’s solo band Aloha in 1977 and ’78.
    • His drug abuse and a nostalgic but troubled touring reunion with Dean Torrence.
    • Persevering . . . on the road and in the studio.[/size]
    “Jan Berry was a driven, self-assured controller,” says Moore. “Intellectually, from an early age, he was on a plane well above most of his peers. As part of a cadre of close-knit musicians and producers who defined the nascent California Rock scene, Jan made sure things went the way he wanted them to go, socially and creatively. His demeanor and personality drew those around him like moths to flame. His closest friends and creative associates marveled at his abilities, acknowledging him as a ‘good guy’ they liked working with and being around who could also be strict and demanding.”

    “After Jan’s car accident,” says Moore, “his ego remained intact, but his personality changed. He became more pliant. In the early days of the post-accident era, he suffered profound depression. His mood ranged from hostile and belligerent to an eagerness to please. He suffered from a severe impulse disorder that constantly threatened his musical renaissance and the best efforts of those trying to help him. He struggled to acknowledge his new limitations but as the years progressed, he kept striving to better himself musically and personally. His left-brain injury eroded his ability to communicate, resulting in bouts of rage and frustration. Yet his knowledge of and capacity for music remained intact, including his ability to read and write pitch notation. His residual capacity for music gave him a lifeline, something to live for, to help pull himself out of the darkness.”

    Moore has been researching Jan Berry’s life and career for more than 20 years. He served as consulting historian for “Jan & Dean: The Other Beach Boys” on the A&E network’s Biography series (2002). His book The Jan & Dean Record was published in 2016. His other published works on the subject include liner notes for Carnival of Sound (Rhino Handmade 2010), the Capitol Records digital reissues of the original Jan & Dean catalog (2011), Second Wave (Jan Berry Memorial Edition, Rainbo 2004), and various articles in Dumb Angel, Endless Summer Quarterly, and the official Jan Berry website.

    Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland, $49.95, 426 pages, 7 x 10, paperback, 195 photos, maps & illustrations, 4 appendices, ISBN: 978-1-4766-7210-6 / $29.95 ebook, eISBN: 978-1-4766-4333-5) is available from online booksellers and at libraries in the United States and around the world. Online retailers include McFarland & Co. and Amazon.com, among others.

    For more information and to see the book’s Table of Contents, visit markmooreauthor.com and the official Jan Berry website: jananddean-janberry.com. View the promo video on YouTube and download a high-resolution image of the book cover.

    Print and Internet media may request a digital review copy of the book online from the publisher.

    # # #

    CONTACT: Mark A. Moore





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    DON'T YOU JUST KNOW IT / Re: Hollywood Eden
    « Last post by jdman on April 09, 2021, 07:40:56 AM »
    Well I wasn’t there. Maybe Dean wrote a word or 2. Roger too. But Roger was soooo upset his name was left off of Surf City that he immediately collaborated with Jan on Honolulu Lulu. Think about that
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    DON'T YOU JUST KNOW IT / Re: Hollywood Eden
    « Last post by 1Jay1 on April 09, 2021, 06:29:57 AM »
    its been documented,many times, even by Dean, he was involved in changing34 panel truck to34 wagon, Roger christian was involved,
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    DON'T YOU JUST KNOW IT / Hollywood Eden
    « Last post by jdman on April 08, 2021, 07:32:41 PM »
    I just read Hollywood Eden. I endorse it because it gives Jan Berry the credit he deserves as a great producer and as a pioneer of the West Coast sound. The Jan and Dean Record was used as a reference. However. The author relies heavily on recollection of artists which results in a lot of BS as well. Like the whole thing about who else wrote Surf City. And the whole “Jan was an ass” thing. But overall I enjoyed it. It got me fired up for Mark’s new book which I can’t wait to get!!!
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    DON'T YOU JUST KNOW IT / Re: Future Jan & Dean releases
    « Last post by 1Jay1 on April 07, 2021, 01:27:55 PM »
    whats due for release in 2021, I know jans biography, 
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    DON'T YOU JUST KNOW IT / Re: Dean touring
    « Last post by 1Jay1 on March 28, 2021, 08:39:50 AM »
    i wonder how much money Dean gets for a show?
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    DON'T YOU JUST KNOW IT / Bat Cues
    « Last post by jdman on March 26, 2021, 05:29:05 AM »
    Mark. I’m producing a play at a local theatre in Louisiana. I’d like to use the Bat Cues from the comedy skits on the Batman album. Are those musical pieces protected??
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