JAN BERRY’S RETURN TO THE STUDIO IN 1967
In 1967-68, following a decade of major chart success with Jan & Dean, Jan Berry returned to the studio after a life-threatening automobile accident in 1966.
The result was a Sunshine Pop / Psychedelic opus — a big-studio Wrecking Crew album that officially remained shelved for more than 40 years . . . until 2010.
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RAINY DAYS IN A CARNIVAL OF SOUND: The Lost Renaissance of Jan & Dean
By Mark A. Moore
Author of The Jan & Dean Record (McFarland, 2016)
The original run for Jan & Dean ended with a bang just before noon on April 12, 1966, sealing a legacy of eight years with 26 chart records, including seven Top 10 and sixteen Top 40 hits, plus various stabs at film and television. Two months later, arranger-producer Jan Berry was discharged from the hospital, and the musical Renaissance of Jan & Dean began almost immediately. So why did it take twelve years and a television movie to rekindle interest in Jan & Dean as a nostalgia act, purveying the Utopian lifestyle of Southern California? Why didn’t the masses get to hear the new music that would have helped Jan & Dean make the transition in 1966-68 — the all-important era when rock music began to be taken seriously; the transition that allowed bands like the Beach Boys to have their earlier catalogs re-evaluated after creating such albums as Pet Sounds and the mythical Smile? The answer for Jan & Dean is perplexing and more than a little disappointing.
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Shindig Magazine’s Pat Curran talks with author Mark A. Moore About Working on Carnival of Sound
Shindig: It’s a beautiful package. Are you pleased with the result of what was obviously a labour of love?
Mark A. Moore: I’m very pleased with how it turned out. Producer Andrew Sandoval did a terrific job of helming this project, and Steve Stanley’s design and layout reflect the era beautifully. The whole team at Rhino Handmade and Warner Music Group did an outstanding job.
Continue reading Carnival of Sound — Shindig Interview with Mark A. Moore